IN THE BEGININ'

They attack the phobic one with small bits of foreign objects which they stick in his ears, nose, mouth, down his shirt and undergarments. They tell him that these objects are live bees and wasps. The boy's eyes are virtually bulging out of his skull in panic. Commonsense has no chance of prominence in the wake of terror that caused his heart to race and pressurize the blood in his arteries and veins. No, a fear of death would not let him rationalize that there should be no bees and wasps in this time of year.

Piercing screams of the boy's anguish for the six to stop go on without yield. However, one of the newest to this group of six, Joshua, feels one of the screams, like a cold icy shaft, pierce his heart. Joshua's mind is sucked up into his subconscious as his spirit comes out of his body like a swirling white mist and floats over, around, and through this circle. He passes through the minds, souls and hearts of the taunters and the taunted.

Enter C. Moore: Hello?

Wizened face of C. Moore (Prophet and introspective philosopher) intertwining with the spirit of Joshua, a mist of white is following his face from his white hair, like the trail of a comet. His face stops and starts as he makes points of logic during this song. Almost as if he is speaking to himself and Joshua. It seems as if their faces are synonymous.

Joshua thinks to himself, "I've got to hold on tight, got to rid myself of this fright." His fright is dual in nature. Does he give in to his own fear of loneliness, maintain the companionship of the boys, and allow the poor defenseless bag of pudge to be his sacrificial lamb in aversion of a lonely life. Or does he feel the warmth of a small, still glowing but waning ember deep in his soul that was once the roaring fire of pure child-like spiritual benevolence. Surely he could be the turncoat of the herd and defend the fat one, but only if he is ready to risk loneliness and possibly become one of the tormented.